Koji Color Advance v1.0.0.8 for After Effects and Premiere Pro | 27 MB







Koji is the world’s most accurate motion picture film emulation, developed with Dale Grahn, color timer for Steven Spielberg and Francis Ford Coppola. Koji is now available as a software plugin called Koji Advance. We invite you to try it out.



Koji Color Advance v1.0.0.8 for After Effects and Premiere Pro



simple and powerful auto white-balance



For any film emulation to work, you need to start with an image that is properly white-balanced. With many modern digital cameras, this is more challenging than it ought to be. So Koji Advance comes with a powerful auto-white balance option. You might be surprised how often you use it.





includes LUTs for your camera or field monitor



All Koji film stocks are also provided as .cube LUT files, so you can load Koji into your LUT-capable field monitor or camera. This allows you to expose properly for your favorite film stock while shooting, or to show clients a live preview of the final look on set.





works natively with your video format (no more internet research required)



Digital video formats are a bit of a mess. There are dozens of them, and they all work slightly differently. Koji Advance supports all major camera formats natively – whether your footage was shot on a Sony FS7, RED Dragon, Canon DSLR, or A7S, just choose your format and go. It just works.





Features

35mm film emulation developed with Dale Grahn, color timer for Steven Spielberg

Improve video image quality or “bake-in” a finishing look for comps

Support for most popular camera formats (DSLRs up to RED and Arri Alexa)

23film stock presets from densitometrically-measured 35mm print

5film grain stocks scanned from 35mm negative

Advanced white balance controls

Powerful Lift/Gamma/Gain color correction tools

Unique color timing controls: Density and printer points

Extremely fast rendering: Real-time playback on many systems